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Oil Paintings Come From United Kingdom
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Vittore Carpaccio
Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

 
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Vittore Carpaccio Maria Geburt oil painting

Painting ID::  91552

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 Vittore Carpaccio
Maria Geburt
1504-1508 Medium oil on canvas Dimensions Deutsch: 128 x 137 cm cyf
   
   
     

 

 
Vittore Carpaccio The Meditation on the Passion oil painting

Painting ID::  91681

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 Vittore Carpaccio
The Meditation on the Passion
c. 1510(1510) Medium oil and tempera on wood Dimensions Height: 70.5 cm (27.8 in). Width: 86.7 cm (34.1 in). cyf
   
   
     

 

 
Vittore Carpaccio Taufe der Unglaubigen durch Hl. Georg oil painting

Painting ID::  92726

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 Vittore Carpaccio
Taufe der Unglaubigen durch Hl. Georg
c. 1507 Medium oil on canvas cjr
   
   
     

 

 
Vittore Carpaccio Christ between Four Angels oil painting

Painting ID::  94668

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 Vittore Carpaccio
Christ between Four Angels
1496 Type Oil on panel Dimensions 162 cm x 163 cm (64 in x 64 in) cyf
   
   
     

 

 
Vittore Carpaccio Holy Family and donors oil painting

Painting ID::  94688

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 Vittore Carpaccio
Holy Family and donors
1505 Type tempera and (?)oil on panel Dimensions 141 cm x 285 cm (56 in x 112 in) cyf
   
   
     

 
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Vittore Carpaccio
Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.